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Críticas This book is a fascinating look at a subject that, while simple in concept, is intricate in the tapestry of ideas it combines. Wright weaves a fascinating tale of scholarly inquiry by examining the maze or labyrinth from the Middle Ages to the present in Western art, architecture, music, dance, and religious thought. The journey of the maze is from sin to salvation; the savior figure that leads us is the warrior and spiritual seeker...His particular emphasis on music is refreshing and enlivens readers' understanding of the whole sensory experience of the Christian church. Most important, this work is a joy to read and reflect on. -- L. L. Lam-Easton Choice 20020201 'Wright's maze is the labyrinth. His warrior is Theseus, Christ, the Cristian soldier, l'homme arme, the pilgrim, or the lover, who enters the labyrinth to meet a challenge at its center and continues through the unicursal path to a victorious exit. In direct and engaging prose, this book traces the two symbols from their first appearance in literature and architecture, through their interpretations in theology, to the ceremonies, games , and performances they inspired ... It is a work of major consequence ... Wright's book invites no less than a new appraisal of the history and historiography of Western music, one more cognizant of myth, belief, and symbol as generative forces in human creativity.' -- Barbara Haggh Journal of the American Musicological Society The Maze and the Warrior is quite a book. The author wears his great learning with great lightness...He has fashioned this book for general readers rather than musicologists and musicians. -- Joseph Kerman New York Review of Books 20040624 The book is a fascinating exploration of a neglected aspect of medieval religious culture which opens up multiple aspects of that culture through the author's virtuoso power to unfold layer after layer of meaning from what might originally seem an innocuous symbol. -- Peter W. Williams Religious Studies Review Reseña del editor A tourist visiting the famous cathedral at Chartres might be surprised to discover an enormous labyrinth embedded in the thirteenth-century floor. Why is it there? In this fascinating book Craig Wright explores the complex symbolism of the labyrinth in architecture, religious thought, music, and dance from the Middle Ages to the present. The mazes incorporated into church floors and illustrating religious books were symbolic of an epic journey through this sinful world to salvation. A savior figure typically led the way along this harrowing spiritual path. Wright looks at other meanings of the maze as well, from religious dancing on church labyrinths to pagan maze rituals outside the church. He demonstrates that the theme inherent in spiritual mazes is also present in medieval song, in the Armed Man Masses of the Renaissance, and in compositions of the Enlightenment, including the works of J. S. Bach. But the thread that binds the maze to the church, to music, and to dance also ties it to the therapeutic labyrinth that proliferates today. For as this richly interdisciplinary history reveals, the maze of the 'new age' spiritualists also traces its lineage to the ancient myth of Theseus and the Minotaur. While the hero of the maze may change from one culture to the next, the symbol endures. Biografía del autor Craig Wright is Professor of the History of Music at Yale University.


The maze and the warrior symbols in architecture in this fascinating book craig wright explores the complex symbolism of the labyrinth in architecture religious thought music and dance from the middle ages to the present the mazes incorporated into church f a tourist visiting the famous cathedral at chartres might be surprised to discover an enormous labyrinth embedded in the thirteenthcentury floor

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Morales josquin and the lhomme armé tradition early see lockwood on parody as term and concept in 16thcentury music in la rue j ed aspects of medieval and renaissance music a birthday offering to gustave reese new york 1966 pp 560 575 and brown emulation competition and homage imitation and theories of imitation in the renaissance journal of the american musicological society 35 1982 pp 8 10

The maze and the warrior symbols in architecture the maze and the warrior symbols in architecture theology and music user review not available book verdict wright history of music yale univ listening to music traces the fascinating history of the maze and its associated symbol the warrior from the classical myth of daedelus and theseus through read full review

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